Posted by
BerliozBlogger on Monday, January 21, 2008 8:14:41 PM
There are countless examples in history of politics meeting art. Real examples, not just the political views of an artist made known. Two stick out: Richard Wagner's strong anti-semitism (in addition to being an egotistical maniac, a radical atheist/humanist). He was, in practice, a racist. A resume like this enough to make him a non-factor in Israel's orchestra halls...add to that the fact that Adolf Hitler was a big fan, and in fact sympathized and was inspired by Wagner's politics. Perhaps even more than by his music, of which he was also a fan.
Despite Wagner's personal sins, his music is great--even though it was inspired by his politics.
So is it a morally wrong to like Wagner's music? For those of us who love opera, Wagner's works are at the top: Tristan und Isolde (his paean to sexual love), Die Meistersinger von Nurnberg (his paean to the idea of "art"), Lohengrin, Tannhauser, Parsifal, and the tetralogy of four operas Der Ring Des Nibelungen (from which came the 'Ride of the Valkyries' used in the film Apocalypse Now).
The second famous example is the music of Richard Strauss. We also run into his association (some say it was only peer pressure) with Nazism. More pointedly, his anti-Christian sentiments. Strauss was crafty enough to never directly bite the hand that fed him, but we do know that he planned to call his Alpine Symphony the "...Anti-Christian Symphony" for in it there's moral purification by one's own strength...[]".
This is a far more controversial comment, and implied with a title like that, a far more controversial piece of music. More so, in my mind, than the raw, explicit, sexualized opera Salome. The Vatican spoke against that opera, but probably missed the previous comment from the German meister.
I'll admit right now that it's a lot harder for me to listen to a purportedly 'anti-Christian' symphony, than it is to an opera whose political undertones are harder to grasp or care about. That's because I am far more sensitive (and I'm not justifying it) to anti-Christian sentiment than I am to other kinds.
Two other examples examples: Wilhelm Furtwangler and Herbert von Karajan, two "titans" of german conducting, were both members of the Nazi party.
Two (perhaps more implied) questions arise: 1) Can you ignore the politics and just enjoy the music, even if they are infused? 2) Do you hold your politics/beliefs so dearly that you feel that supporting music antithetical to them is wrong?